Imagine you have a drum machine that’s controlled with the trigger pads on your MIDI controller. The audio output of the drum machine is routed to a loop pedal. You step on the looper once to record, then again to playback. If you flub a note it’s back to the drawing board, and there’s no chance of changing the speed of the loop without also messing with the pitch of the recorded audio. As fun as live looping can be, the limitations of looping audio can shackle you to a rigid workflow that’s easy to screw up.
“新花都”是Maggie姐的第4个东家,她在这里工作了14年,从一位叱咤舞圈的妈咪升到了业务经理,管理着公司所有的妈咪。之前,她辗转过铜锣湾的“第一”、尖东的“中国城”和湾仔的“巴喇沙”,隔3年一跳,每一跳都紧跟时代节拍。
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