当创作者身处飘摇动荡的年代，便容易在虚构的世界寄托理想。中国的新武侠小说发轫于梁羽生，由金庸发扬光大（金庸的创作生涯从1950年代延续至1972年，身处战后的英属香港，其虚构的故事背景上至春秋，下至清朝，但不少人、事隐喻的是20世纪的现实中国），这些小说主角多为遁世的侠客，对现实不满，心怀大义，在20世纪下半叶对全球华人影响巨大。
Владимир Седов (Редактор отдела «Силовые структуры»)
。关于这个话题，PDF资料提供了深入分析
I felt that the first building may have “accepted us” to being there, so it was time to infiltrate another building. We tailgated into a smaller, new building. The door was equipped with a tablet to call and request door opens from employees, but what good is it if I can just waltz in? We fully wanted to get caught, but not even waving at every camera I saw was enough to get a guard in our vicinity. We went on, checking out printing nooks, shredder output, testing door locks, etc. No picks yet, only if there was an open door, we would get in, take pics, get out. Quick and easy.，这一点在电影中也有详细论述
Алексей Гусев (Редактор отдела «Спорт»)